In The Maker, surface and subject blend together as tactile brushstrokes at once depict a forested scene and command a compositional presence in and of themselves. The blurred boundary between foreground and background parallel this collapse. The economical use of line and color render a whole vivid environment despite their formal simplicity and relative restraint, weaving together complexity and forthrightness. Rich and sumptuous tones highlight the beauty to be found in the world’s essential and natural forms and images.
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